Capsule Review: Touch of Evil

Touch Of Evil is a bit of a contradiction. A 1950's b film, it has risen above its roots to be considered a great work of art, and deservedly so.   Orson Welles came to direct mostly by accident, or misunderstanding. When Charlton Heston was offered the starring role he was told that Welles had signed on to play the heavy. Heston, assuming that Welles would also direct agreed to appear in the film for the chance to be directed by the great auter. Universal was so enamored of Heston that they immediately went about signing Welles to helm the movie.*   Welles saw Touch Of Evil as a one-dimensional thriller, and set about transforming it into something different. The film opens with a now famous tracking sequence, at the time it was the longest uninterrupted tracking shot in movie history. It immediately informs the audience that they are in for something new.  

Molly Dies at the End

It'll Hurt if I Do