The world you know can be transformed into something
unimaginable; something hellish. When it happens, it is by degrees. There is no
tectonic shift, no cataclysm that you notice.
Instead, one small thing shifts. It’s inconsequential and you don’t notice.
Then something else goes awry. It’s no
big thing. It cannot possibly matter in the big picture. Just one block at a
time things change. And you, like the apocryphal frog in slowly heating water, are totally
unaware of how the world is being transformed; how it is becoming. That’s what Richard Stanley’s Color Out of
Space is about.
Richard Stanley has been out of the game for a few years and
this movie is his big comeback. There are
worse projects he could have chosen. H.P. Lovecraft’s The Coulour Out of Space is
a great story with a lot of potential for film. It seems especially right that
this story should make it to the screen just now.
In the film Nathan and Theresa Gardner (Nicolas Cage and
Joely Richardson) are a middle-aged couple who have moved to the idyllic
country estate that Nathan grew up on. They have two teenage kids in tow,
Lavinia (Madeleine Arthur) and Benny (Brendan Meyer) as well as a young son
named Jack (Julian Hillard). Their
property is also inhabited by Ezra (Tommy Chong) , a squatter who lives in a
shack in the woods.
The family is basically happy in the way that most
upper-middleclass white families are happy. It’s all surface level, but at
least there’s no real pain or terror. No
one here is worried about having enough to eat or being murdered in the middle
of the night. There’s a shine to it all.
Things start to change after a glowing meteorite crashes
into the font lawn. The explosion is
jarring, but then it’s just something interesting that has happened. A space
rock in a small crater in your yard is the sort of thing to talk about, but
nothing to fear. That is, it’s nothing
to fear until it is.
Things start to get off kilter slowly. There are new, strange flowers growing in
the yard. The water tastes funny. The tomatoes in the garden are huge and ripe way
too early, but they all taste bad. There’s a funny smell that only Nathan can
detect. The livestock acts strangely. People begin to lose track of time. The internet gets spotty at best.
None of it seems like a big deal. Each thing that happens,
taken on its own is worthy of little more than a scratch of the chin. And yet,
these things add up. The colors start to
bleed. Behavior starts to change.
The film is largely told through the eyes of the two
teenagers, but Cage’s Nathan is the center of the tale. Nicloas Cage is in the
midst of a renaissance of sorts. He has developed a real knack for finding
strange, offbeat films that allow him to craft insane performances. Films like Mandy and Mom and Dad have created an
expectation from Cage. Here he gives a performance that is actually sort of restrained.
He internalizes a lot and dials down the volume for most of the film. Yes, when
the time comes he goes big and it’s an explosion, but it is earned.
Joely Richardson (Event Horizon, Maggie) gives the other
anchoring performance. It’s a doozy. Richardson plays haunted really well. She
has a talent for placing regret just behind the eyes. In the course of the film her character will
undergo some physical changes that harken back to John Carpenter’s The Thing,
but even before that happens she slowly makes herself into something alien just
via her performance.
Everyone in the cast manages to hit the right notes to
ground what should be crazy ass shit. Even Tommy Chong is playing it
seriously. By the time the entire world
of the film is completely out of control and the body horror has ramped past
eleven on the dial we are onboard because the performances made the world real
for us.
The Color Out of Space is a fun time for fans of cosmic
horror, fan of Nic Cage, and anyone who just wants to be creeped the hell out.
A quick note that will only be of interest to people in the vicinity of Joplin Missouri. I saw this movie at The Bookhouse Cinema. If you are near Joplin, be sure to give the Bookhouse Cinema a shot. It's a lovely little arthouse theatre that also serves wonderful food.
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